Indonesian
Literature can refer to literature produced in the Indonesian archipelago. It
is also used to refer more broadly to literature produced in areas with common
language roots based on the Malay language (of which Indonesian is one scion).
This would extend the reach to the Maritime Southeast Asia (including
Indonesia, but also other nations with a common language such as Malaysia and
Brunei, as well as population within other nations such as the Malay people
living in Singapore.
There
are also works written in and about Indonesia in unrelated languages. There are
several languages and several distinct but related literary traditions within
the geographical boundaries of the modern nation of Indonesia. For example the
island of Java has its own Javanese pre-national cultural and literary history.
There are also Sundanese, Balinese, and Batak or Madurese traditions. Indonesia
also has a colonial history of Dutch, British and Japanese occupation, as well
as a history of Islamic influence that brought its own texts, linguistic and
literary influences. There is also an oral literature tradition in the area.
The
phrase Indonesian literature is used in this article to refer to Indonesian as
written in the nation of Indonesia, but also covers literature written in an
earlier form of the Indonesian language i.e. Malay language written in the
Dutch East Indies.
During its
early history, Indonesia was the centre of trade among sailors and
traders from China, India, Europe and the Middle East. Indonesia was then a
colony of the Netherlands and Japan . Its literary tradition was influenced by
these cultures, mainly those of India, Persia, China and, more recently,
Western Europe. However, unique Indonesian characteristics cause it to be
considered as a separate path and tradition.
Chronologically
Indonesian literature may be divided into several periods:
Pujangga Lama: the "Literates of Olden
Times" (traditional literature)
Sastra Melayu Lama: "Older Malay Literature"
Angkatan Balai Pustaka: the "Generation of the [Colonial] Office for Popular Literature" (from 1908)
Angkatan Pujangga Baru: the "New Literates" (from 1933)
Angkatan 1945: the "Generation of 1945"
Angkatan 1950 - 1960-an: the "Generation of the 1950s"
Angkatan 1966 - 1970-an: the "Generation of 1966 into the 1970s"
Angkatan 1980-an: the "Decade of the 1980s"
Angkatan Reformasi: the post-Suharto "Reformation Period"
Angkatan 2000-an: the "Generation of 2000s"
Sastra Melayu Lama: "Older Malay Literature"
Angkatan Balai Pustaka: the "Generation of the [Colonial] Office for Popular Literature" (from 1908)
Angkatan Pujangga Baru: the "New Literates" (from 1933)
Angkatan 1945: the "Generation of 1945"
Angkatan 1950 - 1960-an: the "Generation of the 1950s"
Angkatan 1966 - 1970-an: the "Generation of 1966 into the 1970s"
Angkatan 1980-an: the "Decade of the 1980s"
Angkatan Reformasi: the post-Suharto "Reformation Period"
Angkatan 2000-an: the "Generation of 2000s"
There
is considerable overlapping between these periods, and the usual designation
according to "generations"
should not allow us to lose sight of the fact that these are movements
rather than chronological periods. For instance, older Malay literature was
being written until well into the twentieth century. Likewise, the Pujangga
Baru Generation was active even after the Generation of 1950 had entered the
literary scene.
Genres
Genres
In
written poetry and prose, a number of traditional forms dominate, mainly:
syair (traditional narrative poetry)
pantun (quatrains made up of two seemingly disconnected couplets)
gurindam (brief aphorisms)
hikayat (stories, fairy-tales, animal fables, chronicles)
babad (histories or chronicles).
pantun (quatrains made up of two seemingly disconnected couplets)
gurindam (brief aphorisms)
hikayat (stories, fairy-tales, animal fables, chronicles)
babad (histories or chronicles).
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